Claire Bishop is a critic and professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012), Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? (Walther König, 2013) and a book of conversations with Cuban artist Tania Bruguera. Her forthcoming book Disordered Attention: How We Look at Art and Performance Today will be published by Verso next year; also due next year is Merce Cunningham’s Events: Key Concepts(Walther Koenig). She is a Contributing Editor of Artforum, and her essays and books have been translated into twenty languages.
Introduced by Clara von Turkovich, CCS Bard Graduate Student.
CCS Bard Speaker Series Each semester CCS Bard hosts a program of lectures by leading artists, curators, art historians, and critics, situating the school and museum’s concerns within the larger context of contemporary art production and discourse. Speakers are selected primarily by second-year graduate students and also by faculty and staff. All lectures are free and open, and are documented through audio recordings that reside in the CCS Bard Library & Archives and online here.
Accessibility for Public Programs
Recordings
All our programs are recorded through audio recordings that reside in the CCS Bard Library & Archives and online here. To inquire about a recording, please contact CCSVisits@bard.edu.
American Sign Language Interpretation
ASL-English interpretation is available for public programs upon request with two weeks advance notice. To place a request, please contact CCSVisits@bard.edu. Relay and voice calls welcome.
Verbal Description
Verbal description is available for public programs upon request with two weeks advance notice. To place a request, please contact CCSVisits@bard.edu. Relay and voice calls welcome.
Captioning
When public programs are held over Zoom, live transcription is available . transcription is available .