CCS Bard has a long-standing commitment to publishing a broad scope of print and online publications as part of our exhibition programming and graduate program. Our publications are often produced in partnership with affiliated institutions, graduate programs, publishers and designers, and are representative of the range of public programming activities at CCS Bard.
The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co., 2018
Artist-to-Artist, 2018
How Institutions Think, 2017
Anti-Shows, 2017
Invisible Adversaries, 2016
Exhibition, Design, Participation, 2016
Haim Steinbach: Object and Display, 2015
Cultural Anthropophagy, 2015
Liam Gillick: From Nineteen Ninety A to Nineteen Ninety D, 2015
Realism Materialism Art, 2015
Exhibition as Social Intervention, 2014
The Human Snapshot, 2013
Haim Steinbach: once again the world is flat., 2013
Helen Marten, 2013
Making Art Global (Part 2), 2013
Interiors, 2012
From Conceptualism to Feminism, 2012
From 199A to 199B: Liam Gillick, 2012
Making Art Global (Part 1), 2012
Anti-Establishment, 2012
How Soon Is Now?, 2011
Rachel Harrison: Museum With Walls, 2010
Blinky Palermo: Retrospective 1964–1977, 2010
Exhibiting the New Art, 2010
At Home/Not At Home, 2010
Philippe Parreno: Parade?, 2009
Philippe Parreno, 2009
Rachel Harrison: Consider the Lobster and Other Essays, 2009
The Greenroom: Reconsidering the Documentary and Contemporary Art, 2008
Keith Edmier: 1991–2007, 2007
Wrestle, 2006
Witness to Her Art, 2006
Slater Bradley: don't let me disappear, 2003
Dave Muller: Connections, 2003
Sarah Sze, 2001
David Shrigley, 2001
Tony Feher, 2001
Ilya Kabakov, 2000
The Film Art of Isaac Julien, 2000
Takashi Murakami, 1999