CCS Bard has a long-standing commitment to publishing a broad scope of print and online publications as part of our exhibition programming and graduate program. Our publications are often produced in partnership with affiliated institutions, graduate programs, publishers and designers, and are representative of the range of public programming activities at CCS Bard.
Perfidia, 2020
Uncooperative Contemporaries: Art Exhibitions in Shanghai in 2000, 2020
Festac '77, 2019
Curating After the Global, 2019
Leidy Churchman: Crocodile, 2019
Nil Yalter: Exile is a Hard Job, 2019
Picture Industry, 2018
The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co., 2018
Artist-to-Artist, 2018
The Flood of Rights, 2017
How Institutions Think, 2017
Anti-Shows, 2017
No to the Invasion, 2017
Invisible Adversaries, 2016
Exhibition, Design, Participation, 2016
The Curatorial Conundrum, 2016
Liam Gillick: From Nineteen Ninety A to Nineteen Ninety D, 2015
Haim Steinbach: Object and Display, 2015
Realism Materialism Art, 2015
Cultural Anthropophagy, 2015
Exhibition as Social Intervention, 2014
The Human Snapshot, 2013
Haim Steinbach: once again the world is flat., 2013
Making Art Global (Part 2), 2013
Helen Marten, 2013
From 199A to 199B: Liam Gillick, 2012
From Conceptualism to Feminism, 2012
Anti-Establishment, 2012
Interiors, 2012
Making Art Global (Part 1), 2012
How Soon Is Now?, 2011
Exhibiting the New Art, 2010
Rachel Harrison: Museum With Walls, 2010
At Home/Not At Home, 2010
Blinky Palermo: Retrospective 1964–1977, 2010
Philippe Parreno: Parade?, 2009
Philippe Parreno, 2009
Rachel Harrison: Consider the Lobster and Other Essays, 2009
The Greenroom: Reconsidering the Documentary and Contemporary Art, 2008
Keith Edmier: 1991–2007, 2007
Witness to Her Art, 2006
Wrestle, 2006
Dave Muller: Connections, 2003
Slater Bradley: don't let me disappear, 2003
David Shrigley, 2001
Tony Feher, 2001
Sarah Sze, 2001
The Film Art of Isaac Julien, 2000
Ilya Kabakov, 2000
Takashi Murakami, 1999