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Jeannine Tang
Senior Academic Advisor, LUMA Foundation Fellow
Jeannine Tang
Jeannine Tang is an art historian and critic who received her M.A. and Ph.D. from the Courtauld Institute of Art, and holds a B.A. from the National University of Singapore. Previously a Terra Foundation fellow at the Smithsonian American Art Museum, she was also a Critical Studies participant at the Whitney Museum Independent Study Program. Her writing has appeared in venues such as Artforum; Art Journal; Theory, Culture & Society; Afterimage; journal of visual culture; Art India; Broadsheet, among others. Recent and forthcoming essays in books have focused on institutional critique and the afterlife of art (Provenance: An Alternate History of Art, Getty Research Institute 2012); feminism and international survey exhibitions (Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgression, Liverpool University Press 2013); spectatorship and indigenous sovereignty (Critical Landscapes, University of California Press, 2014); temporalities after postmodernism (Time/Image, 2014-2015). She has published on the work of Cheo Chai- Hiang, Maria Eichhorn, Simryn Gill, Andrea Geyer, Hans Haacke, Sharon Hayes, Martin Beck, among others. She is at work on two book projects: a study of convergences between contemporary art and the 1970s information age, featuring case studies on Marshall McLuhan, John B. Hightower, Margia Kramer, Lucy Lippard, Martha Rosler and others; and a history of cultural and workplace flexibility between 1980-2000s. General research interests include modern and contemporary art, critical histories and theories of feminism, colonialism, social justice and media. CCS Bard core faculty (2010–present) and Graduate Committee (2011–present).