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Historical Exhibitions Study Collection

Primary and secondary research materials about historically significant contemporary art exhibitions compiled by CCS Bard graduate students.
Access is by appointment only.

010101: The Art of Technological Times

SFMOMA, San Francisco, CA, 2001
Curated by Aaron Betsky, et al.
Exhibition documentation assembled by Steven Matijcio, 2003

XXIV Bienal de São Paulo: Um e/entre Outro/s

Fundação Bienal de São Paulo, São Paulo, Brazil, 1998
Curated by Paulo Herkenhoff and Adriano Pedrosa
Exhibition documentation assembled by Montserrat Albores Gleason, 2005

557,087

Seattle Art Museum, 1970
Curated by Lucy Lippard
Exhibition documentation assembled by Elena Pellegrini, 1995

c. 7,500

California Institute of the Arts, Valencia, 1973
Curated by Lucy Lippard
Exhibition documentation assembled by Sarah Marie Elisabeth Bachelier, 2008

Nine at Leo Castelli

Leo Castelli Gallery, NYC 1968
Curated by Robert Morris
Exhibition documentation assembled by Virgilio Garzo, 1996

Across the Pacific: Contemporary Korean & Korean-American Art

Queens Museum of Art, NYC, 1994 [with Kumho Museum of Art, Seoul, Korea]
Curated by Jane Farver et al.
Exhibition documentation assembled by Christel Tsilibaris, 2002

AIDS Timeline

The Whitney Museum of American Art, NYC, 1989
Curated by Larry Rinder et al.
Exhibition documentation assembled by C. Davida Ingram, 2005

Algo va a Pasar: Fardos Funerarios y Resurrecciones Miticas en el Nuevo Arte Peruano

Centro Cultural de la Municipalidad de Miraflores, Lima, Peru, 1987
Curated by Gustano Buntinx
Exhibition documentation assembled by Max Alfredo Hernandez Calvo, 2007

The American Effect

Whitney Museum of American Art, NYC, 2003
Curated by Lawrence Rinder
Exhibition documentation assembled by Zeljka Himbele, 2006

Anti-Illusion – Material / Procedures

Whitney Museum of American Art, NYC 1969
Curated by Marcia Tucker
_Exhibition documentation assembled by Tomas Pospiszyl, 1996

Apartment Number

Apartment Number 3205, 260 Wellesley Street East, Toronto, Ontario, Canada, 1981
Curated by Colin Lochhead
Exhibition documentation assembled by Natalie Woyzbun, 2006

Armando Reveron El Lurgar de los Objectos

Galeria de Arte Nacional, Caracas, Venezuela, 2001
Curated by Luis Enrique Perez Ormas and Maria Elena Huizi
Exhibition documentation assembled by Jose Luis Blondet, 2002

Art & Technology

Los Angeles County Museum of Art, 1971
Curated by Maurice Tuchman
Exhibition documentation assembled by Regine Basha, 1995

Art for Peace [The Exhibition to Benefit the Student Mobilization Committee to End the War in Vietnam]

Paula Cooper Gallery, NYC, 1968
Curated by Ron Wolin, Lucy Lippard, and Robert Huot
Exhibition documentation assembled by Mara Jayne Miller, 1995

The Art of Assemblage

Museum of Modern Art, NYC, 1961
Curated by William Seitz
Exhibition documentation assembled by Goran Tomcic, 1995

L’Arte Negli Anni Settanta / Aperto 80 [Part of the 39th Venice Biennale]

Giardini di Castello, Venice, Italy, 1980
Curated by Achille Bonito Oliva et al.
Exhibition documentation assembled by Camilla Pignatti Morano, 2004

Artistas Latinoamericanos Del Siglo XX [Latin American Artists of the 20th Century]

Estacion Plaza de Armas, Seville, Spain 1992
Curated by Waldo Rasmussen
Exhibition documentation assembled by Sonia Becce, 1996

Asia/America Identities in Contemporary Asian-American Art

Asia Society, NYC, 1994
Curated by Margo Machida
Exhibition documentation assembled by Judy Kim, 1999

Bad Girls

New Museum of Contemporary Art, NYC, 1994
Curated by Marcia Tucker and Marcia Tanner
Exhibition documentation assembled by Lisa Hatchadoorian, 2000

Beau Monde: Towards a Redeemed Cosmopolitanism [SITE Santa Fe’s Fourth International Biennial]

SITE Santa Fe, 2001
Curated by Dave Hickey
Exhibition documentation assembled by Ana Vejzovic, 2003

Bellagio Gallery of Fine Art – Inaugural Exhibition

Bellagio Hotel/Resort, Las Vegas, NV, 1998
Curated by Stephen A. Wynn
Exhibition documentation assembled by Jennifer Crowe, 2000

Beyond the Borders: Kwangju Biennale 1995

Jungwoo Park Culture Belt, Kwangju, South Korea, 1995
Curated by Lee Yongwoo
Exhibition documentation assembled by Jyeong Yeon Kim, 2000

BitStreams

Whitney Museum of American Art, 2001
Curated by Larry Rinder and Debra Singer
Exhibition documentation assembled by Kill Winder, 2002

Black Male

Whitney Museum of American Art, 1995
Curated by Thelma Golden
Exhibition documentation assembled by Allison Peters, 2000

Bloodflames 1947

Hugo Galleries, NYC 1947
Curated by Nicolas Calas
Exhibition documentation assembled by Melissa Hiller, 1996

Boston School

Institute of Contemporary Art, Boston, MA, 1995
Curated by Lia Gangitano and Milena Kalinovska
Exhibition documentation assembled by Jennifer Moore, 2004

Choice Histories: Framing Abortion

Artists Space, NYC, 1992
33 Artist-curators
Exhibition documentation assembled by Bartholomew Ryan, 2008

Cities on the Move

Vienna Secession 1997-1998
Curated by Hou Hanru) and Hans Ulrich Obrist
Exhibition documentation assembled by Dermis P. Leon, 2000

Contemporary Art in Asia – Traditions/Tensions

Asia Society, NYC, 1997
Curated by Apinan Poshyananda
Exhibition documentation assembled by Zhang Zhaohui, 1998

Contemporary Russian Painting and Sculpture

Brooklyn Museum of Art, NYC, 1923
Curated by William Henry Fox and Christian Brinton
Exhibition documentation assembled by Teresa Williams, 2000

##Cordially Invited
BAK, basis voor actuele kunst, The Netherlands, 2004
Curated by Maria Hlajova and Gerardo Mosquera
Exhibition documentation assembled by Nicole Pollentier, 2008

Culture and Commentary: An Eighties Perspective

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., 1990
Curated by Kathy Halbreich
Exhibition documentation assembled by Ryan Doherty, 2007

Culture in Action

Various locations around Chicago, 1993
Curated by Mary Jane Jacob
Exhibition documentation assembled by Sofia Hernandez, 2000

Cybernetic Serendipity

Institute of Contemporary Art, London, 1968
Curated by Jasia Reichardt
Exhibition documentation assembled by Emily Zimmerman, 2007

Damaged Goods: Desire and the Economy of the Object

New Museum of Contemporary Art, NYC, 1986
Curated by Brian Wallis
Exhibition documentation assembled by Elizabeth Zechella, 2004

David Hammons: Rousing the Rubble

The Institute for Contemporary Art, P.S. 1 Museum, Long Island City, NY 1990/91
Curated by Tom Finkelpearl
Exhibition documentation assembled by Joanna Montoya, 2003

The Decade Show – Frameworks of Identity and the 1980s

The New Museum, NYC, 1990
Curated by Julia P. Herzberg, Laura Trippi, Gary Sangster, and Sharon Patton
Exhibition documentation assembled by Henry Estrada, 1999; Risa Puleo, 2004

Deep Storage

P.S. 1 Contemporary Art Center, Long Island City, NY, 1998
Curated by Ingrid Schaffner et al.
Exhibition documentation assembled by Judy Ditner, 2004

Democracy – a four part exhibition

Dia Center, NYC, 1988-89
Curated by Gary Garrels and Group Material
Exhibition documentation assembled by Tobias Ostrander, 1998

Destruction Art

Finch College Museum of Art, NYC, 1968
Curated by Elayne H. Varian
Exhibition documentation assembled by Rachel Gugelberger, 1996

Dialectics of Isolation: An Exhibition of Third World Women Artists in the United States

A.I.R. Gallery, NYC, 1980
Curated by Ana Mendieta and Zarina
Exhibition documentation assembled by Kate Meehan McNamara, 2007

Difference: On Representation and Sexuality

New Museum of Contemporary Art, NYC, 1985
Curated by Kate Linker
Exhibition documentation assembled by Mary Katherine Matalon, 2004

Dislocations

Museum of Modern Art, NYC, 1991
Curated by Robert Storr
Exhibition documentation assembled by Lorelei Stewart, 2000

DI/VISIONS: Kultur und Politik im Nahen Osten [DI/VISIONS: Culture and Politics of the Middle East]

Haus der Kulturen der Welt (House of World Cultures), Berlin, Germany, 2007
Curated by Catherine David
Exhibition documentation assembled by Anais Lellouche, 2008

do it

27 venues in the US and Canada (North American tour), 1997-2001
Curated by Hans-Ulrich Obrist
Exhibition documentation assembled by Caroline Knebelsberger, 2003

Documenta – Art of the 20th Century I

Kassel, Germany, 1955
Curated by Arnold Bode
Exhibition documentation assembled by Jennifer Dunlop, 1999

Documenta X

Kassel, Germany, 1997
Curated by Catherine David
Exhibition documentation assembled by Cecilia Brunson and Ines Katzenstein, 2000

Il Dono, Offerta ospitalita, insidia [The Gift, Generous Offerings, Threatening Hospitality]

Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy, 2001
Curated by Gianfranco Maraniello, Sergio Risaliti, Antonio Somaini
Exhibition documentation assembled by Cecilia F. Alemani, 2004

Earth Art

Andrew Dickson White Museum of Art, Cornell University Ithaca, NY, 1969
Curated by Willoughby Sharp
Exhibition documentation assembled by Gilbert Vicario, 1995

Eccentric Abstraction

Fischbach Gallery, NYC, 1966
Curated by Lucy Lippard
Exhibition documentation assembled by Anastasia Shartin, 1996

The European Iceberg

The Art Gallery of Ontario, Toronto, Canada, 1985
Curated by Germano Celant
Exhibition documentation assembled by Chen Tamir, 2007

Extreme Connoisseurship

The Fogg Art Museum and Sert Gallery, Harvard University of Art Museums, Cambridge, MA, 2001
Curated by Linda Norder
Exhibition documentation assembled by Daniel Byers, 2008

The Family of Man

Museum of Modern Art, NYC, 1955
Curated by Edward Steichen
Exhibition documentation assembled by Kate Menconeri, 2008

Foodculture

ARTLAB Visual Arts Dept. University of Western Ontario
Curated by Barbara Fischer
Exhibition documentation assembled by Sandra Firmin, 2002

Fragile Ecologies

Queen Museum of Art, NYC, 1992
Curated by Barbara C. Matilsky
Exhibition documentation assembled by Tatjana von Prittwitz, 1999

Freestyle

The Studio Museum in Harlem, NY, 2001; Santa Monica Museum of Art, California, 2001
Curated by Thelma Golden and Christine Y. Kim
Exhibition documentation assembled by Ruba Katrib, 2007

Freeze

Surrey Docks, London, 1988
Curated by Damian Hirst
Exhibition documentation assembled by Denise Markonish, 1998

GAAG: The Guerrilla Art Action Group

The Museum of Modern Art, NYC, 1970
Curated by The Guerrilla Art Action Group
Exhibition documentation assembled by Christina Linden, 2008

Global Conceptualism: Points of Origin, 1950s – 1980s

Queens Museum of Art, NYC, 1999
Curated by Laszlo Beke et al.
Exhibition documentation assembled by Erica Fisher, 2006

Graft (Part of Trade Routes: History and Geography, The 2nd International Johannesburg Biennial)

The South African National Gallery, Johannesburg, South Africa, 1997
Curated by Colin Richards
Exhibition documentation assembled by Kerryn Greenberg, 2006

Hall of Mirrors: Art & Film since 1945

The Museum of Contemporary Art, Los Angeles, California, 1996
Curated by Kerry Brougher
Exhibition documentation assembled by Shariann Nicole Michael, 2004

Harlem On My Mind: Cultural Capital of Black America, 1900-1968

Metropolitan Museum of Art, NYC, 1968
Curated by Allon Shoener
Exhibition documentation assembled by Tumelo Mosaka, 2000

Helter Skelter: L.A. Art in the 1990s

Museum of Contemporary Art – Los Angeles, 1992
Curated Paul Schimmel
Exhibition documentation assembled by Jennifer L. Gray, 2000

L’Hiver de l’Amour [The Winter of Love]

ARC Musée d’Art Moderne de la Ville de Paris, 1994
Curated by Olivier Zahm and Elein Fleiss
Exhibition documentation assembled by Marketa Uhlirova, 2002

Hong Kong, etc. (Part of Trade Routes: History and Geography, The 2nd Johannesburg Biennial)

Rembrandt van Rijn Art Gallery, Johannesburg, South Africa, 1997
Curated by Hou Hanru
Exhibition documentation assembled by David Chan, 2002

How Latitudes Become Forms: Art in a Global Age

Walker Art Center. Minneapolis, Minnesota, 2003
Curated by Philippe Vergne, Douglas Fogle, and Olukemi Ilesanmi
Exhibition documentation assembled by Yasmeen M. Siddiqui, 2004

I Am the Enunciator

Thread Waxing Space, NYC, 1993
Curated by Christian Leigh
Exhibition documentation assembled by Katerina Llanes, 2008

If You Lived Here…[A three-part exhibition: 1. Home Front; 2. Homeless: The Street and Other Venues; 3. City: Visions and Revisions]

Dia Foundation for the Arts, 1989
Curated by Martha Rosler
Exhibition documentation assembled by Bree Edwards, 2002

Illegal America

Franklin Furnace, NYC, 1990
Curated by Jeanette Ingberman
Exhibition documentation assembled by Rebecca Noriega Costas, 2007

Les Immateriaux

Centre Georges Pompidou, Paris, 1985
Curated by Jean-Francois Lyotard
Exhibition documentation assembled by Alejandro Diaz, 1998

In a Different Light

Berkeley Art Museum, University of California at Berkeley, Berkeley, CA, 1995
Curated by Nayland Blake and Lawrence Rinder
Exhibition documentation assembled by Tairone Bastien, 2004

In the Spirit of Fluxus

Walker Art Center, Minneapolis, MN, 1993
Curated by Elizabeth Armstrong
Exhibition documentation assembled by Gregory Sandoval, 2000

Indigena: Contemporary Perspectives in Canadian Art

Canadian Museum of Civilization, Hull, Quebec, Canada, 1992
Curated by Gerald McMaster and Lee Ann Martin
Exhibition documentation assembled by Ryan Rice, 2003

Information

Museum of Modern Art, NYC, 1970
Curated Kynaston McShine
Exhibition documentation assembled by Philippa Day, 1996

Inside Out: New Chinese Art

SFMOMA, San Francisco, CA, 1999
Curated by Gao Minghu
Exhibition documentation assembled by Weijun Cao, 2000

inSITE97: Private Time in Public Space

27 venues in San Diego and Tijuana, 1997
Curated by Jessica Bradley, Olivier Debroise, Ivo Mesquita, Sally Yard
Exhibition documentation assembled by Ramona Jane Piagentini, 2005

inSITE 2000-2001: Fugitive Sites

26 venues in San Diego and Tijuana, 2000
Curated by Ivo Mesquita, Sally Yard, __Susan Buck-Morss, and Osvaldo Sanchez
Exhibition documentation assembled by Cassandra Coblantz, 2002

Into the Light: The Projected Image in American Art 1964-1977

Whitney Museum of American Art, NYC, 2001
Curated by Chrissie Iles
Exhibition documentation assembled by Summer Guthery, 2008

The Invisible Thread: Buddhist Spirit in Contemporary Art

Snug Harbor Cultural Center, NYC, 2003
Curated by Olivia Georgia, Robyn Brentano, Roger Lipsey, and Lilly Wei
Exhibition documentation assembled by Lauren J. Wolk, 2008

Joseph Beuys

Solomon R. Guggenheim Museum, NYC, 1980
Curated by Caroline Tisdall
Exhibition documentation assembled by Stacey Allan, 2004

The Kitchen 1971-1973

The Kitchen (Mercer Arts Center), NYC, 1971
Curated by Woody Vasulka and Steina
Exhibition documentation assembled by Wendy Vogel, 2008

The Knot Arte Povera at P.S.1

P.S.1, Institute for Art and Urban Resources, Long Island City, NY, 1986
Curated by Germano Celant
Exhibition documentation assembled by Yasmil Raymond Ventura, 2003

Kroppen som Membran [Body as Membrane]

Brandt Klaedefabrik, Odense, Denmark, 1996
Curated by Kirsten Justesen and Valie Export
Exhibition documentation assembled by Milena Hoegsberg, 2008

Kuresellesme: Devlet, Siddet, Sefalet [Globalization: State, Violence, Poverty]

Devlet Han, Istanbul, Turkey, 1995
Curated by Ali Akay with Emre Zeytinoglu
Exhibition documentation assembled by Zeynep Oz, 2008

Labor of Love

The Contemporary, Baltimore, MD, 1994
Curated by Lisa G. Corrin
Exhibition documentation assembled by Benjamin Portis, 1999

Let’s Entertain: Life’s Guilty Pleasure

Walker Art Center, Minneapolis, MN, 2000
Curated by Philippe Vergne
Exhibition documentation assembled by Paul Brewer, 2004

Loop [Loop, alles auf Anfang: Back to the Beginning

P.S.1, Long Island City, NY, 2002
Curated by Klaus Biesenbach & Alanna Heiss
Exhibition documentation assembled by Kelly Taxter, 2002

Lost Homelands: Manuel Piña, Edward Poitras, Jorma Puranen, Jin-Me Yoon

Confederate Center Art Gallery and Museum, Prince Edward Island, 1999
Curated by Annette Hurtig
Exhibition documentation assembled by Anja Bock, 2002

Making Things Public

ZKM | Center fir Art and Media, Karlsruhe, Germany, 2005
Curated by Bruno Latour and Peter Weibel
Exhibition documentation assembled by Alexandra Neuss (exchange student), 2008

Making Time: Considering Time as a Material in Contemporary Video & Film

Palm Beach Institute for Contemporary Art, 2000
Curated by Amy Cappellazzo
Exhibition documentation assembled by Elizabeth Fisher, 2001

Manifesta 1: Foundation European Art Manifestation

Kunsthal Rotterdam, Rotterdam, The Netherlands, 1996
Curated by Rosa Martinez et al.
Exhibition documentation assembled by Pelin Uran, 2004

Manifesta 2: European Biennial of Contemporary Art

Luxembourg City, 1998
Curated by Robert Fleck, Maria Lind, and Barbara Vanderlinden
Exhibition documentation assembled by Olga Kopenkina and Ilaria Bonacossa, 2001

Memoirs of the Blind: the Self-Portrait and Other Ruins

Louvre, Paris, 1991
Curated by Jacques Derrida
Exhibition documentation assembled by Sarah Cook, 1996

Michael Asher / James Colemann

Artists Space, NYC, 1988
Curated by Valerie Smith
Exhibition documentation assembled by Fionn Meade, 2008

Mining the Museum: An Installation by Fred Wilson

Maryland Historical Society, Baltimore, Maryland, 1992
Curated by Fred Wilson
Exhibition documentation assembled by Tyler Emerson-Dorsch, 2008

Mirroring Evil: Nazi Imagery / Recent Art

The Jewish Museum, NYC, 2002
Curated by Norman L. Kleeblatt
Exhibition documentation assembled by Kate Green, 2002

Modelle- Allegorien des Realen [Models- Allegories of the Real]

Kunsthalle Goppingen, Goppingen, Germany
Curated by Neuburger, Katharina et al.
Exhibition documentation assembled by Katharina Neuburger, 2007

Modern Architecture International Exhibition

MOMA, NYC, 1932
Curated by Henry-Russell Hitchcock, Philip Johnson, and Alfred Barr, Jr.
Exhibition documentation assembled by Dave Delcambre, 2003

More Than Minimal: Feminism and Abstraction in the ‘70s

The Rose Art Museum at Brandeis University, 1996
Curated by Susan Stoops
Materials donated by Ann Reynolds

The Museum as Muse: Artists Reflect

Museum of Modern Art, NYC, 1999
Curated by Kynaston McShine
Exhibition documentation assembled by Mercedes Vicente, 2000

Museum of Conceptual Art, 1970-1984

Museum of Conceptual Art, San Francisco, CA, 1984
Curated by Tom Marioni
Exhibition documentation assembled by Laura Mott, 2008

Negotiating Rapture – The Power of Art to Transform Lives

Museum of Contemporary Art, Chicago, IL, 1996
Curated by Richard Francis and Sophia Shaw
Exhibition documentation assembled by Ian Berry, 1998

The Neurotic Art Show / The Editions Project

Four Walls, Brooklyn, NY, 1991 / Brooklyn Front, Brooklyn, NY, 2002
Curated by Adam Simon and Mike Ballou / Mark Shunney
Exhibition documentation assembled by Robert Blackson, 2003; Maria Martinez, 2000

New American Painting

Kunsthalle, Basel 1958
Curated by Martha Jackson
Exhibition documentation assembled by Susan Parkoff

New Forms / New Media I & II

Martha Jackson Gallery, NYC, 1960
Curated by Martha Jackson
Exhibition documentation assembled by Olga Zdanovics, 1996

New York Painting and Sculpture 1940-1970

Metropolitan Museum of Art, NYC, 1969
Curated by Henry Geldzahler
Exhibition documentation assembled by Sydney O. Jenkins, 1996

On the Passage of a Few People through a Rather Brief Moment in Time: The Situationist International, 1957-1972

Museé National d’Art Moderne, Centre Georges Pompidou, Paris, 1989
Curated by Elisabeth Sussman et al.
Exhibition documentation assembled by Amy Owen, 2007

Outside the Frame: Performance and the Object

Cleveland Center for Contemporary Art, Cleveland, Ohio, 1994
Curated by Robyn Brentano and Olivia Georgia
Exhibition documentation assembled by Meg Shiffler, 2004

Öyvind Fahlström

Museu d’Art Contemporani de Barcelona, Spain, 2000
Curated by Sharon Avery-Fahlström, Manuel J. Borja-Villel, Jean-François Chevrier
Exhibition documentation assembled by Mariangela Mendez, 2006

“Pagan” Stories: The Situations of Narrative in Recent Art

Apex Art, NYC, 1997
Curated by Janet Kraynak
Exhibition documentation assembled by Amaya de Miguel Sanz, 2003

The Paper Sculpture Show

SculptureCenter, Long Island City, NY, 2003
Curated by Mary Ceruti, Matt Freedman, Sina Najafi Exhibition documentation assembled by Lyra Kilston, 2004

Pictures to be Read / Poetry to be Seen

Museum of Contemporary Art, Chicago, IL, 1967
Curated by Jan van der Marck
Exhibition documentation assembled by Elizabeth Irrapino, 1996

The Popular Image Exhibition

Washington Gallery of Modern Art (D.C.), 1963
Curated by Alice Denny
Exhibition documentation assembled by William Stover, 1995

Primary Structures: Younger American and British Sculptors

The Jewish Museum, NYC, 1996
Curated by Kynaston McShine
Exhibition documentation assembled by Prudence Peiffer, 2004

Project Unité

Firminy, France, Summer 1992-Winter 1993 Curated by Yves Aupetitallot Exhibition documentation assembled by Mireille Bourgeois, 2008

Publikulture

Museum of Art, Fort Lauderdale, Florida
Curated by Ginger Gregg Duggan
Exhibition documentation assembled by Kristen Evangelista, 2001

Punk Art Exhibition

Washington Project for the Arts, Washington, D.C., 1978
Curated by Alice Denney
Exhibition documentation assembled by Yasmine Van Pee, 2004

Raid the Icebox 1 with Andy Warhol

Institute of Arts, Rice University, Houston, TX, 1969
Curated by Andy Warhol
Exhibition documentation assembled by Robin Zella, 1995

Reservation X: The Power of Place in Aboriginal Contemporary Art

Canadian Museum of Civilization, Hull, Quebec, Canada, 1999
Curated by Gerald McMaster
Exhibition documentation assembled by Paula Bigboy, 2004

Retrace Your Steps: Remember Tomorrow

Sir John Sloan’s Museum, Lincoln Fields, London, 1999-2000
Curated by Hans Ulrich Obrist
Exhibition documentation assembled by John W. Weeden, 2002

Rolywholyover A Circus

Museum of Contemporary Art, Los Angeles, CA, 1993
Curated by Julie Lazar and John Cage
Exhibition documentation assembled by Anat Egbi, 2008

Rooms

P.S. 1 Long Island City, NY, 1976
Curated by Alanna Heiss
Exhibition documentation assembled by Brian Wallace, 1996

Roots, Rhymes, and Rage: The Hip-Hop Story

Brooklyn Museum of Art, NYC, 1999
Curated by James Henke
Exhibition documentation assembled by Nicole J. Caruth, 2004

Sculpture in the Environment

New York City Cultural Showcase Festival, 1967
Coordinated by August Heckscher
Exhibition documentation assembled by Dorothy Désir-Davis, 1995

Second Floor

Laugavegur 37, 101 Reykjavik, Iceland, 1997
Curated by Pétur Arason
Exhibition documentation assembled by Markús Thór Andrésson, 2007

Seeing Time: Selections from the Pamela & Richard Kramlich Collection of Media Art

SFMOMA, 1999-2000
Curated by Robert Riley & Thea Westreich
Exhibition documentation assembled by Ingrid Chu, 2003

Sense and Sensibility: Women Artists and Minimalism in the Nineties

The Museum of Modern Art, NYC, 1994
Curated by Lynn Zelevansky
Exhibition documentation assembled by Erin Salazar, 2004

The Short Century: Independence and Liberation Movements in Africa, 1945-1994

P.S.1, Long Island City, NY, 2002
Curated by Okwui Enwezor
Exhibition documentation assembled by Jimena Acosta Romero and Adekele Kazeem, 2002

Software

Jewish Museum, NYC, 1970
Curated by Jack Burnham
Exhibition documentation assembled by Claire Barliant, 2003

The Spirit Sings: Artistic Traditions of Canada’s First Peoples

Glenbow Museum, Calgary, Alberta, Canada, 1988
Curated by Julia D. Harrison, Ruth Whitehead, and Ruth Phillips
Exhibition documentation assembled by Candice Hopkins, 2003

The Store

107 East 2nd Street, NYC, 1961
Curated by Claes Oldenburg
Exhibition documentation assembled by William Heath, 2006

The Subject of Rape

Whitney Museum of American Art, NYC, 1993
Curated by Hannah J. Feldman, Jennifer Kabat, Hannah Kruse, Monica Chau
Exhibition documentation assembled by Jenni Sorkin, 2003

Superflat

Shibuya Parco Gallery, Tokyo, Japan, 2000
Curated by Takashi Murakami
Exhibition documentation assembled by Mayumi Hirano, 2004

Theatergarden Bestiarium

Casino de la Exposicion Seville, Spain, 1989
Curated by Chris Dercon and Rudiger Schottle
Exhibition documentation assembled by Carolyn Eyler, 1996

This is the show and the show is many things

Museum van Hedendaagse Kunst, Ghent, Belgium, 1994
Curated by Bart De Baere
Exhibition documentation assembled by Niko Vicario, 2008

This is Tomorrow

Whitechapel Art Gallery, London, UK, 1956
Curated by 12 artist groups with Brian Morrison (director of Whitechapel)
Exhibition documentation assembled by Simone Subal, 2004

The Times Square Show

Abandoned massage parlor on the corner of 41st Street and 7th Avenue, 1980
Curated by John Ahearn, Tom Otterness and other members of Colab
Exhibition documentation assembled by Yasmine Van Pee, 2003

Touch: Relational Art from the 1990s to Now

Walter and McBean Galleries, San Francisco Art Institute, CA, 2002
Curated by Nicolas Courriaud
Exhibition documentation assembled by Jen Mergel, 2004

Toward the Teleculture

1974-2007
Curated by Willoughby Sharp
Exhibition documentation assembled by Gene McHugh, 2008

Transience: Chinese Experimental Art at the End of the Twentieth Century

The David and Alfred Smart Museum of Art, University of Chicago, 1999
Curated by Wu Hong
Exhibition documentation assembled by Feng Liu, 2002

TV as a Creative Medium

Howard Wise Gallery, NYC, 1969
Curated by Howard Wise
Exhibition documentation assembled by Terri C. Smith, 2008

Unausgewogen – Freie Ausstellungsmacher in Koln

Kolnischer Kunstverein, Cologne, Germany, 1986
Curated by Wulf Herzogenrath, Elisabeth Kappe, Kasper Konig et al.
Exhibition documentation assembled by Marion Ritter, 2008

Unnatural Science

MassMoCA, North Adams, MA, 2000-01
Curated by Laura Heon
Exhibition documentation assembled by Pascal Spengemann, 2004

Urban Encounters

New Museum of Contemporary Art, NYC, 1998
Curated by Gregory Scholette
Exhibition documentation assembled by Kim Simon, 2001

Whitney Biennial Exhibition 1993

Whitney Museum of American Art, NYC, 1993
Curated by Elizabeth Sussman, Thelma Golden, Lisa Phillips, and John G. Hanhardt
Exhibition documentation assembled by Luiza Interlenghi, 2001

Witnesses: Against Our Vanishing

Artists Space, NYC 1989
Curated by Nan Goldin
Exhibition documentation assembled by Jeffrey Walkowiak, 1999; Amy Mackie, 2006

Womanhouse

533 Nariposa Street Hollywood, CA 1972
Curated by Miriam Shapiro and Judy Chicago
Exhibition documentation assembled by Anne Ellegood, 1996

The Worlds of Nam June Paik

Guggenheim Museum, NYC, 2000
Curated by John G. Hanhardt
Exhibition documentation assembled by Aubrey Reeves, 2003

Yes Yoko Ono

Walker Arts Center, Minneapolis, Minnesota, 2001
Curated by Alexandra Monroe
Exhibition documentation assembled by Anna Gray, 2006