Made of found materials, Tony Feher’s elegant site-specific installations mark both a divergence from and a confluence with canonic minimalist aesthetic. Relying on transitory experience and observation, his works demand that the viewer make the effort to slow down, look, and savor the moment. This catalogue documents Feher’s recent dramatic installation at the Center for Curatorial Studies and locates it within the context of his artistic development.
Texts by Bill Arning and John Lindell Tony Feher in conversation with Adam Weinberg Introduction by Amada Cruz
Exhibition Dates: June 24th, 2001 – September 9th, 2001