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In a colorful collage, multiple posters of a dancing Michael Jackson mingle with two metallic panels and a poster of Michelangelo's famous sculpture, David. In one poster, MJ is mid-dance-move balancing on his tip-toes; he seems to defy gravity. Bronze spray paint adorns the head of David and the head and chest of one of the Michaels. The body of another Michael, covered by an angled rectangle of clear plastic, seems to meet a cloud of bronze paint mid-air. That Michael has a smaller Michael attached to it with blue tape. Soft curved stripes of red, green, and turquoise spray paint, and a hard dripping stripe of white, overlay the upper right side of the piece. In the lower left corner is a small reproduction of an elaborate gilded triptych depicting the Three Kings at the birth of Jesus.
Criteria
April 3 – May 30, 2021
→ Hessel Museum of Art, CCS Bard Galleries
Curated by
  • Natasha Matteson
Part of
Exhibition Category
Thesis Exhibitions, Student Curated Projects, Hessel Collection Exhibitions

Due to current Bard College Covid-19 safety protocols, The Hessel Museum of Art and the CCS Bard galleries are currently open to a limited number of visitors by reservation, and to Bard College students, staff, and faculty without reservation. To read our Covid-19 Courtesy Code, please visit this page.

To reserve your free timed ticket, please visit this page.

What if exhibition-making consisted simply of a rule set generating a selection of artworks? Criteria is an exhibition of artworks from the Marieluise Hessel Collection that complicates the divide between algorithmic and curatorial decision-making. Though the process of curatorial selection may seem to emerge from the independent interests of the curator, these choices are actually deeply enmeshed with metrics and optimization. On the one hand, logistical factors, from shipping times to budget line distribution, determine which kinds of curatorial projects can be realized. On the other, calibrated search engines and personalized feeds circumscribe our digital windows onto the world—and curatorial research is no exception. Moreover, art writers are pressured by the demands of click-driven media, where algorithms influence both the arts discourse that curators encounter and the way that curatorial endeavors circulate within it. On top of this, even anticipated attendance metrics may determine particular aspects of an exhibition. In some sense, curatorial projects are always optimizing certain metrics, some of which are consciously calculated, and others of which appear natural. Criteria explores those obscured parameters through an investigation of the computational aspects of curating. The public programming developed in conjunction with the exhibition further addresses broad questions around algorithmic bias, artificial intelligence, decision-making, and applications of systems thinking in the museum sphere.

Artists included: Ida Applebroog, Barbara Bloom, Anne Collier, Liz Deschenes, Isa Genzken, Charline von Heyl, Bruce Nauman, Philippe Parreno, Marlo Pascual, Pope.L, R.H. Quaytman, Haim Steinbach, Rosemarie Trockel, Gillian Wearing

Lead Data Engineer: Nate Turley
Data Visualizer Engineer: Eric Rabinowitz
Data Analysis Engineer: Li-Heng Henry Chang
Assistant Data Engineer: Tsitsi Mambo
Advising Engineer: Sebastian Schloesser
Graphic Designer: Emilio Pérez
Curated in consultation with Marcia Acita, Director of Collections, Center for Curatorial Studies, Bard College

In addition to exhibition support provided by CCS Bard, Criteria was made possible by the Experimental Humanities Collaborative Network and Bard College Computer Science Program’s generous support of the related public programming.